Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State

xi,119p

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Auteur principal: Omosimua, Rebecca Egbenya
Format: Thèse
Langue:anglais
Publié: 2019
Sujets:
Accès en ligne:https://ir.oauife.edu.ng/handle/123456789/3819
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author Omosimua, Rebecca Egbenya
author_facet Omosimua, Rebecca Egbenya
author_sort Omosimua, Rebecca Egbenya
collection DSpace
description xi,119p
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id oai:ir.oauife.edu.ng:123456789-3819
institution My University
language English
publishDate 2019
record_format dspace
spelling oai:ir.oauife.edu.ng:123456789-38192023-05-13T11:28:10Z Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State Omosimua, Rebecca Egbenya Ritual Aesthetics Ukpe Festival Weppa-Wanno Cosmology Performance Edo state xi,119p The study identified the ritual and performance aesthetics in the Ukpefestival of Weppa-Wanno people of Edo State, It also examined the aesthetic features of the ritual performance in the festival and analysed the significance of Ukpe festival in the cosmology of Weppa-Wanno people. This was done with a view to establishing that Ukpe possessed indigenous dramatic elements. The study employed both primary and secondary sources of data collection. The primary source included the 2012 and 2013 performances of the Ukpefestival. These editions were observed and the video recordings and pictures taken were used in the analysis. In addition, Interviews were conducted with eight purposively selected main custodians of the Weppa-Wanno tradition and Ukpe festival. These custodians included three high chiefs, two titled women and three performers who had rich knowledge of the festival. The secondary source included books, journal articles and the Internet. The data analyses were carried out using the theoretical framework of semiotics by Ropo Sekoni and Charles Sanders Peirce. The choice of semiotics was based on the premise that it formed the bedrock upon which meaning inherent in any given sign can be decoded. The study established that the festival employed ritual and performance elements such as performance space, audience, characters, action, dance, procession, masks, songs, drumming, and elaborate costuming. All of these elements coalesced in the aesthetics of the festival. The study also revealed that the aesthetic features of Ukpe ritual performance served as major determinants in the artistic evaluation of Ukpe as an African performative art. The study further revealed that Ukpe festival promoted the cosmology of the people through artistic expressions. The study concluded that Ukpe encapsulates many cultural signs that provide meaning and entertainment while offering newer perspectives on the artistic vibrancy of Weppa-Wanno people and their cultural productions. 2019-01-31T13:59:28Z 2019-01-31T13:59:28Z 2015 Thesis https://ir.oauife.edu.ng/handle/123456789/3819 en application/pdf
spellingShingle Ritual
Aesthetics
Ukpe Festival
Weppa-Wanno
Cosmology
Performance
Edo state
Omosimua, Rebecca Egbenya
Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State
title Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State
title_full Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State
title_fullStr Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State
title_full_unstemmed Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State
title_short Ritual and Performance Aesthetics in the Ukpe Festival of the Weppa-Wanno People of Edo State
title_sort ritual and performance aesthetics in the ukpe festival of the weppa wanno people of edo state
topic Ritual
Aesthetics
Ukpe Festival
Weppa-Wanno
Cosmology
Performance
Edo state
url https://ir.oauife.edu.ng/handle/123456789/3819
work_keys_str_mv AT omosimuarebeccaegbenya ritualandperformanceaestheticsintheukpefestivaloftheweppawannopeopleofedostate